Digital tools for filmmakers, colorists, and photographers.
Made for filmmakers.
Tested by colorists.
Every LUT, every grain, every texture — handcrafted from real film and real sessions.
DaVinci Resolve Power Grades with full node documentation. Every grading decision explained. Every parameter intentional.
RealColor. FilmNoir. TealDream. Three presets, each built from a distinct color philosophy — clean cinema, dramatic monochrome, and cinematic teal & orange.
Camera-ready recipes tested on specific Fujifilm bodies. Classic Neg, Velvia, Acros — every setting documented for manual entry.
Film grain overlays in 35mm, 16mm, and 8mm. Film burn transitions. Light leaks captured from real camera bodies. All ProRes 4444.
Type any sound in plain language. The AI generates broadcast-quality audio in seconds.
The standard no competitor holds themselves to.
Every Power Grade ships with a PDF explaining each node's purpose and the grading decision behind it.
Every preset and grain pack names its source film stock and the conditions under which it was documented.
Fujifilm recipes specify exactly which bodies they were tested on. Settings are documented for manual entry into any compatible camera.
Purchase and download immediately. No waiting, no subscription. Files are yours forever with free updates included.
Sound effect packs delivered as 24-bit / 96kHz WAV. Metadata tagged for SFX library software like Soundminer and BaseHead.
DaVinci Resolve, Lightroom Classic, Lightroom CC, After Effects, and any NLE via ProRes 4444 overlay formats.
"The DaVinci Power Grades saved me two hours on my last feature. The node documentation alone is worth the price."
"I switched from expensive LUT packs to FilmTexture's PowerGrades and the difference in flexibility is night and day. Real node trees, not baked-in looks."
"The Fujifilm recipes are spot-on. I tested them against real Velvia slides and the color science is remarkably close."
"Film grain overlays that actually look like film, not digital noise with a fancy name. The 16mm pack lives on every timeline I cut."